2013年3月4日星期一

Opera Mask Pendant Yuwen Chengdu

Product Name: Opera Mask, Yuwen Chengdu

Dimensions: 21 * 14.5 * 4.5 cm
Material: Cold solidified enamel, composite material
Workmanship: Handwork, three dimensional relief

Profile:
Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds.


Introduction of Facial makeup:
Facial makeup, or Lian Pu, refers to facial designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most facial designs attach great importance to the eyes.  The facial designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou.

Features:
Facial makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized.
Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of facial mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of facial makeup. More and more foreigners have interest in it and begin to explore the secret of facial makeup.

http://t.cn/zY8gQi0 

Opera Mask Chinese Traditional Craft


Product Name: Opera Mask, colorful face

Dimensions: 21 * 14.5 * 4.5 cm
Material: Cold solidified enamel, composite material
Workmanship: Handwork, three dimensional relief

Profile:
It is a branch of painted face which origins from three-patched facial makeup. It is shaped like a butterfly and the colors it uses is complex, which usually depends on the characters. For example, Ma Jun’s nickname is “jade butterfly”, thus in the drama Zhen Jia Tu, and Tie Qiu Shan, his facial mask is butterfly shaped, using different colors.


Introduction of Facial makeup:
Facial makeup, or Lian Pu, refers to facial designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most facial designs attach great importance to the eyes.  The facial designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou.

Features:
Facial makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized.
Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of facial mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of facial makeup. More and more foreigners have interest in it and begin to explore the secret of facial makeup.

http://t.cn/zY8gTOw 

Peking Opera Mask God of Chinese Prosperity


Product Name: Opera Mask, Zhao Gongming

Dimensions: 21 * 14.5 * 4.5 cm
Material: Cold solidified enamel, composite material
Workmanship: Handwork, three dimensional relief

Profile:
Zhao Gongming, in Chinese Cai Shen, is the god of prosperity. He is often invoked during the Chinese New Year and often depicted riding a black tiger and holding a golden rod. He is placed in temples and worshiped by the common people.


Introduction of Facial makeup:
Facial makeup, or Lian Pu, refers to facial designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most facial designs attach great importance to the eyes.  The facial designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou.

Features:
Facial makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized.
Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of facial mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of facial makeup. More and more foreigners have interest in it and begin to explore the secret of facial makeup.

http://t.cn/zY8gK7B

Eastern Craft Opera Mask Han De Pendant



Product Name: Opera Mask, Han De

Dimensions: 21 * 14.5 * 4.5 cm
Material: Cold solidified enamel, composite material
Workmanship: Handwork, three dimensional relief

Profile:
Han De, a supposed figure in the famous novel the Romance of Three Kingdoms, was not recorded in history. As depicted, he was a Wei general who followed Xiahou Mao to deal with the Shu invasion led by Zhuge Liang. He was slain by Zhao Yun, who also killed his four sons.


Introduction of Facial makeup:
Facial makeup, or Lian Pu, refers to facial designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most facial designs attach great importance to the eyes.  The facial designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou.

Features:
Facial makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized.
Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of facial mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of facial makeup. More and more foreigners have interest in it and begin to explore the secret of facial makeup.

http://t.cn/zY8g6Ej 

Drama Opera Mask Traditional Folk Art



Product Name: Opera Mask, Ying Kaoshu

Dimensions: 21 * 14.5 * 4.5 cm
Material: Cold solidified enamel, composite material
Workmanship: Handwork, three dimensional relief

Profile:
Ying Kaoshu was a master of Zheng country during the Spring and Autumn period. He was in charge of the valley of Ying, which is in present-day Dengfeng, Henan. He is known for his word to his mother: “never meet till we reach Huangquan”. Ying sent his subordinates to dig a channel and named it Huangquan. It aims at arranging appointment for his parents Zheng Zhuanggong and Wu Jiang. Ying was praised by people for his filial to his mother, who was not that good to him when she was alive. But Ying did not mind it and serve his mother till death.

Introduction of Facial makeup:
Facial makeup, or Lian Pu, refers to facial designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most facial designs attach great importance to the eyes.  The facial designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou.

Features:
Facial makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized.
Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of facial mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of facial makeup. More and more foreigners have interest in it and begin to explore the secret of facial makeup.

http://t.cn/zY8d1ZW 

2013年3月3日星期日

HG 1/144 GNW-001 Gundam Throne Eins

Shipping Weight: 0.6kg

Origin: Imported (China)       
        
Product Description:                            
The GNW-001 Gundam Throne Eins (aka Gundam Throne Eins, Eins), is the lead Gundam of Team Trinity and piloted by Johann Trinity in season one of Mobile Suit Gundam 00.The first unit of the Gundam Thrones series, which are each specialized custom versions of the same mobile suit design.[2] Of the three Throne units, the Throne Eins is mostly a mid-to-long range fire mobile suit. The Gundam Thrones also employ more advanced version of GN technology than of Ptolemaios's Gundams, such as a more advanced internal particle distribution system as well as a more compact GN Drive Chassis technology that were not adapted by the Ptolemy team until the 3.5 and 4th generation Gundams. It is said that in terms of orientation, Eins combined both the characteristics of both the range of Dynames as well as the firepower of Virtue into a single unit.[2] Eins would often fire the GN Rifle for short-to-mid range attacks and firing the GN Launcher for mid-to-long range attacks. While similar to Dynames, a long range tactical MS, it is not a sniper. Eins' "GN Launcher" has a more powerful feature called GN Mega Launcher, which basically more powerful and more particle consuming. Since Eins doesn't have an unlimited supply of GN particles due to its GN Drive Tau, Eins is largely dependent on Drei for transferring compressed GN particles in order to use it this feature. With both Zwei and Drei linked together, Eins is able to use it's most powerful attack, the "GN High Mega Launcher". Unlike the Throne Varanus and the GN-X series, the Gundam Thrones do not need a special start-up machine in order to activate their GN Drives due to the fact that they possess their own compact start up mechanism on-board.

http://t.cn/zYQu5gY 

HG 1/144 GN-005 Gundam Virtue


Shipping Weight: 0.7kg

Origin: Imported (China)       
        
Product Description:                 
The GN-005 Gundam Virtue (aka Gundam Virtue Particle Type') is the heavy-artillery Gundam in season one of Mobile Suit Gundam 00. The unit is piloted by Tieria Erde.A 3rd generation heavy arms Gundam made for its Innovade pilot, Tieria Erde. Unlike the other Gundams, Virtue was designed to be an anti-ship combat mobile suit as opposed to an anti-mobile suit one. The current adaptation of Virtue is also known as the "Particle-Type" which contrasts another variant design considered that is known as the Physical-Type, distinguished by the their main type of armament. One of the main reasons for the development of Virtue was to keep its true form, GN-004 Gundam Nadleeh away from the front lines.

http://t.cn/zYQm96U 

HG 1/144 GNW-003 Gundam Throne Drei


Shipping Weight: 0.6kg

Origin: Imported (China)       
        
Product Description:                    
The GNW-003 Gundam Throne Drei (aka Gundam Throne Drei, Drei), is one of three Gundam Thrones piloted by the Trinity siblings in Mobile Suit Gundam 00. It is personally piloted by Nena Trinity.Among the three Throne units Drei serves more of a support role in combat to the other two Throne units. Throne Drei is a supplier of GN particles, its able to attach itself to GNW-001 Gundam Throne Eins with a wire to enhance the beam output of its GN Launcher. Its GN Stealth Field, which deploys three huge pairs of GN particle wings over a wide range, is a powerful ability possessed only by this unit; its red wing-like GN Tau particle dispersal are similar to the green particles emitted by the GN-000 0 Gundam. In addition, it can also disperse GN particles from its stealth field emitter to defend itself from enemy projectiles. The particle consumption rate of its equipment are lowered in order to help use the stealth field. Unlike the Throne Veranus and the GN-X series, the Gundam Thrones do not need a special start-up machine in order to activate their GN Drives due to the fact that they possess their own compact start up mechanism on-board.

http://t.cn/zYQmXWo 

HG 1/144 GNX-609T GN-X III: ESF type Gundam


Shipping Weight: 0.6kg

Origin: Imported (China)       
        
Product Description:                            
Introduced in the second season of "Gundam 00," the blue-gray GN-X III is the Earth Sphere Federation's mass-produced Mobile Suit used by the peacekeeping army. This HG kit shares the same mold as the GN-X III A-Laws Type but has a different color scheme. Upon completion, it can be equipped with its GN Lance, which can switch between lance mode and rifle mode. Other weaponry includes two GN Beam Sabers, a GN Beam Rifle, and a GN Shield. A sheet of foil stickers is provided for detail. Get several to create your army of GN-X III mechs!

http://t.cn/zYQmiCI 

HG 1/144 GNZ-007 Gaddess Gundam


Shipping Weight: 0.6kg

Origin: Imported (China)     
          
Product Description:                   
GNZ-007 Gaddess (aka Gaddess), is an Innovator-produced mobile suit which appears in season two of Mobile Suit Gundam 00. The unit is piloted by Anew Returner.The Gaddess has a similar appearance and general functionality to that of the GNZ-003 Gadessa and GNZ-005 Garazzo. For combat the Gaddess boasts a GN Heat Saber and GN Beam Saber Fangs. As Anew is not a combat Innovade, the unit is equiped with multiple Fangs in order to avoid direct combat.[2] This is a basic tactic designed to prevent enemies from closing in, allowing the unit to escape to a further distance.[2] While the basic performance of the units is the same of that of other Gadessa-series units, it can be affected by its pilot capabilities.[2] The Gaddess's cockpit, while mounted in the torso, can detach as an escape pod.

http://t.cn/zYQQymA